Rabbit Island logomark
Please be patient as we add content to the Archive. Thanks!
The Religion (represented by Lindley Elmore, Morgan Vessel, and Keegan Van Gorder)
August 30 – September 23, 2019
Artist Statement

The Religion is a project and community of people who are seeking to cultivate curiosity and goof through the creation of new events and experiences. The Religion is a set of beliefs that prioritizes Goofwork, making the profane sacred, materializing ideas and the use of Ceremony as a medium. Ceremony, the Religion’s core practice, helps us access the divine, asks us to try new ways of spending time, lets us re-examine our personal priorities, aims to stretch our stone-set comfort routines and encourages us (The Unclogged) to relearn how to value an experience for the sake of an experience. Ceremony is a tool that allows us to externalize questions, personal themes and new ideas through experiences that are deliberate, extensively planned step-by-step events or spontaneous, wild, improvisational idea-actions.

Residency Proposal

The Religion’s practice asks us to consider our relationship to our socio-cultural environment and physical landscape. Our use of Ceremony encourages inquisitiveness and play through the investigation of place and our position within a larger regional space and social context. We’ve investigated community spaces through public events such as Silent Midnight Trash Bag Walk and Freedom of Information Booth at MSP-St. Paul International Airport. Our work seeks to disrupt the regular-ness of routines and everyday spaces (park / airport) through thoughtful, provocative new styles of re-engagement using movement, constructed legitimacy, ceremony and goof. Since the practice and creation of Ceremonies are heavily informed by our own context and physical environment, much of our ceremonies are centered around urban landscapes (Trash/Treasure Goose Chase, Landscape Investigations I and II, Museum Walking Ceremony), the modern workplace (Undercover Worse than Normal Employee), and happenings in our own lives (Heartbreak Parade, Tinder Ceremony, Ceremony for Fresh Eyes in an Old Place, Ceremony for Moving Out). Experience in past residencies – putting ourselves in new and different places has allowed us to engage new site-specific ideas and produce ceremonies from those locations (Cracking the Eggshell of Winter from our first winter residency in Minneapolis). We want to continue this focused collective investigation of local space in order to write new ceremonies, create community events and develop ideas that are inspired by and extracted from place. We wish to seek out spaces different from what we’ve been afforded in the past in order to engage, and export new topics and questions interpreted from that environment.

Through this residency we want to explore and produce new Ceremonies of differing scales. We wish to compose small ceremonies for our intimate collection of three, ceremonies for our mailed subscribers, and a final site-specific ceremony for the community near Rabbit Island. We wish to further investigate what influences and informs our work, especially the context of place. Our goal is to develop a relationship with Lake Superior, create a ceremony that is specific to our experience on Rabbit Island, and host the ceremony as an event for a small group of people.

↑ Return to the top
Please be patient as we add content to the Archive. Thanks!
uploadchevron-down